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¿À·£ ½Ã°£ µ¿¾È º¯ÇÔ ¾ø´Â ¸ð½À°ú ¾ÈÁ¤µÈ ¿¬±â·ÂÀ¸·Î ´Ù¼öÀÇ ÀÛÇ°À» Á¾È¾¹«Áø ÇØ¿Â ¿¬±âÀÚ ±è¼®ÈÆ. ±×°¡ 2011³â 11¿ùºÎÅÍ DJ·Î¼ ÁøÇàÇØ¿Â CBS ¶óµð¿ÀÀÇ Å¬·¡½Ä À½¾Ç ¹æ¼Û ¡°¾Æ¸§´Ù¿î ´ç½Å¿¡°Ô ±è¼®ÈÆÀÔ´Ï´Ù¡±´Â Ŭ·¡½Ä À½¾Ç ¹æ¼Û Áß ¡®Ã»ÃëÀ² 1À§¡¯¸¦ ±â·ÏÇÏ°í ÀÖ´Ù. ±è¼®ÈÆÀÌ ÃßõÇϴ Ŭ·¡½Ä ·¹ÆÛÅ丮°¡ À¯µ¶ ±â´ëµÇ´Â ÀÌÀ¯ÀÌ´Ù.
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[CD1] 1. Bach: Jesus bleibt meine Freude, from Cantata BWV 147 (¹ÙÈå: ÄŸŸ BWV 147 - \"¿¹¼ö, Àΰ£ ¼Ò¸ÁÀÇ ±â»Ý\") 2. Bach: Was mir behagt, ist nur die muntre Jagd, BWV 208, \"Hunt Cantata\" - Aria: Schafe konnen sicher weiden (¹ÙÈå: ÄŸŸ BWV 208 - \"¾çµéÀº ÇÑ°¡·ÎÀÌ Ç®À» ¶â°í\") 3. Bach: Cello Suite No. 1 in G major, BWV 1007 - I. Prelude (¹ÙÈå: ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 1¹ø GÀåÁ¶ BWV 1007 - 1¾ÇÀå ÇÁ·¼·ùµå) 4. Bach: Cello Suite No. 1 in G major, BWV 1007 - II. Allemande (¹ÙÈå: ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 1¹ø GÀåÁ¶ BWV 1007 - 2¾ÇÀå ¾Ë¸Áµå) 5. Bach: Goldberg Variations, BWV 988 - Aria (¹ÙÈå: °ñµåº£¸£Å© º¯ÁÖ°î BWV 988 - ¾Æ¸®¾Æ) 6. Bach: The Well-Tempered Clavier, Book I: Prelude No. 1 in C major, BWV 846 (¹ÙÈå: Æò±ÕÀ² Ŭ¶óºñ¾î °îÁý 1±Ç - 1¹ø CÀåÁ¶ BWV 846) 7. Bach: Overture (Suite) No. 3 in D major, BWV 1068 - II. Air, \"Air on a G String\" (¹ÙÈå: °üÇö¾Ç ¸ðÀ½°î 3¹ø DÀåÁ¶ BWV 1068 - 2¾ÇÀå \"G ¼±»óÀÇ ¾Æ¸®¾Æ\") 8. Bach: Overture (Suite) No. 2 in B minor, BWV 1067 - VII. Badinerie (¹ÙÈå: °üÇö¾Ç ¸ðÀ½°î 2¹ø B´ÜÁ¶ BWV 1067 - 7¾ÇÀå ¹Ùµð³×¸®) 9. Bach: Violin Concerto in E major, BWV 1042 - I. Allegro (¹ÙÈå: ¹ÙÀ̿ø° ÇùÁÖ°î 2¹ø EÀåÁ¶ BWV 1042 - 1¾ÇÀå ¾Ë·¹±×·Î) 10. Bach: Concerto for 2 Violins in D minor, BWV 1043 - II. Largo ma non tanto (¹ÙÈå: µÎ ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î D´ÜÁ¶ BWV 1043 - 2¾ÇÀå ¶ó¸£°í ¸¶ ³í źÅä) 11. Bach: Sonata in G minor for Viola da Gamba and Harpischord, BWV 1029 - I. Vivace (¹ÙÈå: ºñ¿Ã¶ó ´Ù °¨¹Ù ¼Ò³ªÅ¸ G´ÜÁ¶ BWV 1029 - 1¾ÇÀå ºñ¹Ùü) 12. Bach: Brandenburg Concerto No. 3 in G major, BWV 1048 - I. Allegro (¹ÙÈå: ºê¶õµ§ºÎ¸£Å© ÇùÁÖ°î 3¹ø GÀåÁ¶ BWV 1048 - 1¾ÇÀå ¾Ë·¹±×·Î) 13. Bach: French Suite No. 5 in G major, BWV 816 - III. Sarabande (¹ÙÈå: ÇÁ¶û½º ¸ðÀ½°î 5¹ø GÀåÁ¶ BWV 816 - 3¹ø »ç¶ó¹æµå) 14. Bach: St. Matthew Passion, BWV 244 - Part II: No. 39. Aria: Erbarme dich (¹ÙÈå: ¸¶Å ¼ö³°î BWV 244 - 39¹ø ¾Æ¸®¾Æ \"ÁÖ¿© ºÒ½ÖÈ÷ ¿©±â¼Ò¼\") 15. Bach: St. Matthew Passion, BWV 244 - Part III: No. 65. Aria: Mache dich, mein Herze, rein (¹ÙÈå: ¸¶Å ¼ö³°î BWV 244 - 65¹ø ¾Æ¸®¾Æ \"³» ¸¶À½ ±ú²ýÀÌ ÇÏ¿©\") 16. Bach: St. John Passion, BWV 245 - Part II: Es ist vollbracht (¹ÙÈå: ¿äÇÑ ¼ö³°î BWV 245 - ¾Æ¸®¾Æ \"¸ðµÎ ÀÌ·ç¾úµµ´Ù\") [CD2] 1. Beethoven: Violin Sonata No. 5 in F major, Op. 24, \"Spring\" - I. Allegro (º£Å亥: ¹ÙÀ̿ø° ¼Ò³ªÅ¸ 5¹ø FÀåÁ¶ Op.24 \"º½\" - 1¾ÇÀå ¾Ë·¹±×·Î) 2. Chopin: Piano Concerto No. 1 in E minor, Op. 11 - II. Romance: Larghetto (¼îÆØ: ÇǾƳë ÇùÁÖ°î 1¹ø E´ÜÁ¶ Op.11 - 2¾ÇÀå ·Î¸Á½º: ¶ó¸£°ÔÅä) 3. Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - I. Moderato (¶óÈ帶´Ï³ëÇÁ: ÇǾƳë ÇùÁÖ°î 2¹ø C´ÜÁ¶ Op.18 - 1¾ÇÀå ¸ðµ¥¶óÅä) 4. Mendelssohn: Piano Trio No. 1 in D minor, Op. 49 - II. Andante con moto tranquillo (¸àµ¨½ºÁ¸: ÇǾƳë Æ®¸®¿À 1¹ø D´ÜÁ¶ Op.49 - 2¾ÇÀå ¾È´ÜÅ× ÄÜ ¸ðÅä Æ®¶ûų·Î) 5. Mendelssohn: Symphony No. 4 in A major, Op. 90, \"Italian\" - I. Allegro vivace (¸àµ¨½ºÁ¸: ±³Çâ°î 4¹ø AÀåÁ¶ Op.90 \"ÀÌÅ»¸®¾Æ\" - 1¾ÇÀå ¾Ë·¹±×·Î ºñ¹Ùü) 6. Brahms: Symphony No. 3 in F major, Op. 90 - III. Poco Allegretto (ºê¶÷½º: ±³Çâ°î 3¹ø FÀåÁ¶ Op.90 - 3¾ÇÀå Æ÷ÄÚ ¾Ë·¹±×·¹Åä) 7. Bruch: Scottish Fantasy, Op. 46 - I. Adagio cantabile (ºê·çÈå: ½ºÄÚƲ·£µå ȯ»ó°î -1¾ÇÀå ¾Æ´ÙÁö¿À ÄŸºô·¹) 8. Dvorak: Symphony No. 7 in D minor, Op. 70 - III. Scherzo: Vivace - Poco meno mosso (µåº¸¸£ÀÛ: ±³Çâ°î 7¹ø D´ÜÁ¶ Op.70 - 3¾ÇÀå ½ºÄɸ£ÃÊ: ºñ¹Ùü - Æ÷ÄÚ ¸Þ³ë ¸ð¼Ò) 9. Schumann: Symphony No. 4 in D minor, Op. 120 -III. Scherzo: Presto - Largo (½´¸¸: ±³Çâ°î 4¹ø D´ÜÁ¶ Op.120 - 3¾ÇÀå ½ºÄɸ£ÃÊ: ¸®ÆÛÇÁÆ®) [CD3] 1. Debussy: Suite bergamasque: III. Clair de lune (µåºß½Ã: º£¸£°¡¸¶½ºÅ© ¸ðÀ½°î - ´Þºû) 2. Op.12 Elgar: Salut d\'amour, Op.12 (¿¤°¡: »ç¶ûÀÇ Àλç) 3. Liszt: Liebestraume, S541/R211 - No.3 (¸®½ºÆ®: »ç¶ûÀÇ ²Þ) 4. Rubinstein: 2 Melodies, Op.3 - Melody No.1 in F major (·çºó½´Å¸ÀÎ: 2°³ÀÇ ¸á·Îµð Op.3 - FÀåÁ¶ÀÇ ¸á·Îµð) 5. Chopin: Etude No. 3 in E major, Op. 10, No. 3 (¼îÆØ: ¿¬½À°î 3¹ø EÀåÁ¶ Op.10 \"À̺°\") 6. Chopin: Nocturne in E-flat major, Op. 9, No. 2: Andante (¼îÆØ: ¾ß»ó°î 2¹ø ³»¸²EÀåÁ¶ Op.9 2¹ø ¾È´ÜÅ×) 7. Beethoven: Piano Sonata No. 17 in D minor, Op. 31, No. 2, \"Tempest\" - III. Allegretto (º£Å亥: ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 17¹ø D´ÜÁ¶ Op.31 \"ÅÛÆ佺Ʈ\" - 3¾ÇÀå ¾Ë·¹±×·¹Åä) 8. Massenet: Thais, Act II: Meditation (¸¶½º³×: ¿ÀÆä¶ó \"ŸÀ̽º\" - 2¸· ¸í»ó°î) 9. Gluck: Orfeo ed Euridice: Dance of the Blessed Spirits, \"Melodie\" (arr. F. Kreisler) (±Û·è: ¿ÀÆä¶ó \"¿À¸£Æä¿ì½º¿Í ¿¡¿ì¸®µðü\" - Á¤·ÉµéÀÇ Ãã \"¸á·Îµð\" (Å©¶óÀ̽½·¯ Æí°î)) 10. Satie: 3 Gymnopedies - Gymnopedie No. 1 (»çƼ: 3°³ÀÇ Áü³ëÆäµð - Áü³ëÆäµð 1¹ø) 11. Sor: 6 Airs from the \'Magic Flute\', Op.19 - Act I: No.5. Konnte jeder brave Mann (¼Ò¸£: \"¸¶¼úÇǸ®\" ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î - 1¸· 5¹ø ¿ë°¨ÇÑ »ç¶÷µé¿¡°Ô) 12. Faure: Dolly Suite, Op.56 - I. Berceuse (Æ÷·¹: µ¹¸® ¸ðÀ½°î Op.56 - 1¹ø ÀÚÀå°¡) 13. Dvorak: Gypsy Melodies, Op. 55: IV. Songs My Mother Taught Me (µåº¸¸£ÀÛ: Áý½Ã ¸á·Îµð Op.55 - 4¹ø ¾î¸Ó´Ï°¡ °¡¸£ÃÄÁֽŠ³ë·¡) 14. Mozart: Zaide, K.344, Act I: Aria: Ruhe sanft, mein holdes Leben (¸ðÂ÷¸£Æ®: ¿ÀÆä¶ó \"Â÷À̵¥\" K.344 - 1¸· ¾Æ¸®¾Æ \"ÆíÈ÷ ½¬¾î¿ä, ³» »ç¶û\") 15. Giordani: Caro mio ben (Á¶¸£´Ù´Ï: Ä«·Î ¹Ì¿À º¥) 16. Beethoven: Adelaide, Op. 46 (º£Å亥: ¾Æµ¨¶óÀ̵¥ Op.46) 17. Handel: Serse, HWV 40, Act I: Ombra mai fu (Ç: ¿ÀÆä¶ó \"¼¼¸£¼¼\" HWV40 - 1¸· ¿Èºê¶ó ¸¶ÀÌ Çª) [CD4] 1. Rachmaninov: Rhapsody on a Theme of Paganini, Op.43 - Variation 18 (¶óÈ帶´Ï³ëÇÁ: ÆÄ°¡´Ï´Ï ÁÖÁ¦¿¡ ÀÇÇÑ ±¤½Ã°î Op.43- 18º¯ÁÖ (¿µÈ: »ç¶ûÀÇ ºí·¢È¦)) 2. Mozart: Piano Concerto No.21 in C major, K.467 \'Elvira Madigan\' - II. Andante (¸ðÂ÷¸£Æ®: ÇǾƳë ÇùÁÖ°î 21¹ø CÀåÁ¶ K.467 \"¿¤ºñ¶ó ¸¶µð°£\" - 2¾ÇÀå ¾È´ÜÅ× (¿µÈ: ¿¤ºñ¶ó ¸¶µð°£)) 3. Mozart: Clarinet Concerto in A major, K.622, II. Adagio (¸ðÂ÷¸£Æ®: Ŭ¶ó¸®³Ý ÇùÁÖ°î AÀåÁ¶ K.622 - 2¾ÇÀå (¿µÈ: ¾Æ¿ô ¿Àºê ¾ÆÇÁ¸®Ä«, ³× ¸Ú´ë·Î Çضó, Æĵ巹 Æĵå·Î³×)) 4. Schubert: Piano Trio in E-flat major, D. 929 - II. Andante con moto (½´º£¸£Æ®: ÇǾƳë Æ®¸®¿À ³»¸² EÀåÁ¶ D.929 - 2¾ÇÀå ¾È´ÜÅ× ÄÜ ¸ðÅä (¿µÈ: ÇǾƴϽºÆ® - ¹ÌÄ«¿¤ Çϳ×ÄÉ °¨µ¶, ÇØÇÇ¿£µå - Á¤Áö¿ì °¨µ¶)) 5. Tchaikovsky: Swan Lake, Act II: Scene: Moderato (Â÷ÀÌÄÚÇÁ½ºÅ°: ¹ß·¹ \"¹éÁ¶ÀÇ È£¼ö\" - 2¸· Á¤°æ: ¸ðµ¥¶óÅä (¿µÈ: ºô¸® ¿¤¸®¾îÆ®)) 6. Wagner: Der Ring des Nibelungen - Die Walkure - Act III. Ride of the Valkyries (¹Ù±×³Ê: ¿ÀÆä¶ó \"´Ïº§·î°ÕÀÇ ¹ÝÁö\" - ¹ßÄû·¹ - 3¸· ¹ßÄû·¹ÀÇ ºñÇà (¿µÈ: Áö¿ÁÀÇ ¹¬½Ã·Ï)) 7. Joplin: The Entertainer (Á¶Çø°: ¿£ÅÍÅ×ÀÌ³Ê (¿µÈ: ½ºÆÃ)) 8. Vivaldi: Nulla in mundo pax sincera, RV630: (Aria) Nulla in mundo: Larghetto (ºñ¹ßµð: ¼¼»ó¿¡ Âü ÆòÈ ¾ø¾î¶ó RV630 (¿µÈ: »þÀÎ)) 9. Mozart: The Marriage of Figaro, K. 492 - Act III Scene 10: Duettino - Sull\'aria (¸ðÂ÷¸£Æ®: ¿ÀÆä¶ó \"ÇÇ°¡·ÎÀÇ °áÈ¥\" K.492 - 3¸· 21¹ø ÆíÁö 2Áßâ (¿µÈ: ¼î»ýÅ© Å»Ãâ)) 10. Puccini: Tosca - Act III. E lucevan le stele (Ǫġ´Ï: ¿ÀÆä¶ó \"Å佺ī\" - 3¸· º°Àº ºû³ª°Ç¸¸ (¿µÈ: ·Î¸¶ À§µå ·¯ºê)) 11. Offenbach: Les Contes D\'Hoffmann: Barcarolle (¿ÀÆæ¹ÙÈå: ¿ÀÆä¶ó \"È£ÇÁ¸¸ À̾߱â\" - ¾Æ¸®¾Æ \"¹î³ë·¡\" (¿µÈ: ÀλýÀº ¾Æ¸§´Ù¿ö)) 12. Dvorak: Rusalka, Op.114, Act I: O Silver Moon, \'Song to the Moon\' (µåº¸¸£ÀÛ: ¿ÀÆä¶ó \"·ç»ìÄ«\" - 1¸· ´Þ¿¡°Ô ¹ÙÄ¡´Â ³ë·¡ (¿µÈ: µå¶óÀ̺ù ¹Ì½º µ¥ÀÌÁö)) 13. Korngold: Gluck, das mir verblieb, from: Die tote Stadt, op.12 (ÄÚÆ°°ñµå: ¿ÀÆä¶ó \"Á×À½ÀÇ µµ½Ã\" Op.12 - ¸¶¸®¿¡Å¸ÀÇ ³ë·¡ \"Áñ°Å¿ò, ³»°Ô °¡±îÀÌ ³²¾Æ¼\" (¿µÈ: ¸¶Áö¸· 4ÁßÁÖ)) 14. Puccini: Gianni Schicchi: O mio babbino caro (Ǫġ´Ï: ¿ÀÆä¶ó \"ÀÜ´Ï ½ºÅ°Å°\" - ¶ó¿ì·¹Å¸ÀÇ ¾Æ¸®¾Æ \"¿À ³ªÀÇ »ç¶ûÇÏ´Â ¾Æ¹öÁö\" (¿µÈ: Àü¸Á ÁÁÀº ¹æ)) |
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